The Rowdy Goddess

An Ecstatic Vision of the Goddess, dancing in harmony with the Universe.

Archive for the tag “Deborah Blake”

Celebrating the Hag! Baba Yaga, the Hag of Winter

Baba Yaga 2

Baba Yaga by Kinuko Y. Craft

This eternal winter, dubbed the Polar Express by the press, has turned into a polar depression for many people.  The persistent cold and sudden snow squall is peppered by blizzards, traffic accidents, and cruel, teasing almost-thaws.  It can lay siege to our hearts and our nerves.  How do we melt our frozen wills?  By celebrating.

Our circle celebrates the hag.  We laugh, we kvetch, we keen, and we laugh some more.  Two of our witches have decided to bypass the wisdom of the crone and, as they say, “go straight to hag,” because the hag doesn’t care.  She wears what she likes, she says what’s on her mind, and she does as she pleases.  If children cross the street to avoid the hag’s house?  So what, the hag views that with glee!  And that is what the hag has become for us:  a woman of a certain age who stands in her power and acts as she wills.

Each quarter this year, we are identifying a Witch of legend and lore to celebrate and explore.  In the grip of a cold, harsh winter, we celebrate the Hag, Baba Yaga.

There is no character in folk-tales or mythology who is so irredeemable and wicked as Baba Yaga. She is a fearsome, ugly old hag who lives on the edge of the forest. Her house is surrounded by a fence of bones and topped with skulls whose eyes glow red in the dark. The house itself is set on chicken legs and can move around with great noise and frightening disruption.

The hag herself is not a pretty sight. Her nose is so large, it is said that it touches the ceiling when she sleeps. She has iron teeth and is frequently called, Baba Yaga Boney Legs. While she is said to have no control over the pure in heart, she does have a reputation for baking young children in her huge oven and crunching on their bones.

She rides around in a mortar using a pestle to propel her and when she arrives a great winds begins and stirs up the world around her. When she leaves, she removes all traces of herself with a broom made of silver birch. Sometimes her conveyance is a huge kettle. Other times, she appears as a kindly old crone, assisting people in distress.

Like so many legends and stories of the mythic creatures and the gods, there is great power underneath. Who was she before these stories; and who will she become as we work with her. The author Deborah Blake describes her journey of creating a modern-day story with Baba Yaga in it. You can read it at her blog. I am very much looking forward to reading her first novel published by a major house–it now has a cover.

As Blake points out, John and Caitlin Matthews in The Element Encyclopedia of Magical Creatures have researched the story behind the story of Baba Yaga, pointing that although she is portrayed as an “archetypal bogey-woman, she is actually a primal goddess. The mortar and pestle are symbols of creation and destruction, and her broom cleanses and cleans.

She inhabits the borderlands, those places between life and death, the places between this world and other worlds. She gave Koshei the Deathless, a dragon with human shape, his mortality. She also controls another fire-breathing dragon, Chudo-Yudo who guards the Water of Life and death.  She has fierce companions and friends.  She befriends the friendless and empowers the powerless.  She is one of those teachers you strive to meet her standards, because she hold the bar high and demands your achievement.

It’s obvious she’s a great witch of power.  I met her during a healing journey.  She was fierce, strong, and in good fighting shape.  She gave me strong words of wisdom for my protection and healing.  I’m working through a lot of uncertainty and sorrow at this point in my life, and she made it clear that she was at my back.  She joked about the chicken legged house, saying a lot of disruption and noise is not a bad thing.  She changed her visage from kindly old crone, to girl, to hot chick and back to fearsome hag before me; and then told me people see what they need to see where she is concerned.  She gave me some advice about some of my struggles and then said “I leave that with you to do or not do.”  Then she gave me a very fierce hug and was off again.

Baba Yaga

I am the wild, untamed nature of the world
I am the whirling music of nature
And the strange heartbeat
Of life and death.

I fly the world in my vessel of change
Propelled by creation and destruction.
I sweep from this world to the others
Clearing and cleansing the way.

I am in love with the unusual
Finding beauty and interest in the odd.
Wonder and curiosity move me
From marvel to marvel.
Shift your vision and you will see it too!

My the paralysis you feel about certain things be melted in glee, delight, and fierce determination.

Tchotchke Oracle: Rocking the Magic of Everyday Things

contents of tchotchke oracle

Tchotchke Oracle

As we enter the path of Wicca, Paganism, or adopt a new divination system, we enter a new world of exploration, and of shiny objects and alluring collections of really neat things.  Garb, cloaks, fantastic objects, athames, wands, and so much more.  We can be lead to believe that we need the perfect cloak, the ideal chalice, and all the other accoutrements available.  I once quipped (and have never lived down) that this is the shopping religion.  The same was true, I might add, of mainstream religions.  When I was a Christian, I spent a great deal of meager salary on the perfect leather-bound Bible with gold-edge pages in exactly the right translation.  Then I accumulated more translations and commentaries.  None of these things deepened my walk with Deity; study, communication, fellowship, and prayer did that.  The same is true of the Pagan path.  It is our actions and connections that bring us closer to Spirit. Deborah Blake writes about this online and in her book, Witchcraft on a Shoestring.    She presents practical and frugal ways to practice our Craft along with ways to be authentic and magical.
I once heard Ted Andrews speak and he said that nature is speaking to us all the time and that we need to turn our minds and our ears to hear a new language.  I think the same is true with objects.  The objects we have in our lives accumulate meaning and symbolism that mean something to us personally.  We can read that meaning and let the objects talk to us, help us solve or problems, or lead us to new insights.   This idea was further verified when a friend on Facebook, Morewenna, posted a picture of her Magpie Oracle.
Her posting spurred a lot of conversation and discussion and I realized I could do this too.  I would name mine Tchotchke Oracle for several reasons.  Tchotcke is fun to say, my father used to pepper his talk with Yiddish phrases picked up from people he met in his gregarious ways, and I grew up in an area rich in Jewish lore, customs, and humor.  One woman told me her fiance defined the word tchotchke as “cute little things” and he referred to his balls as tchotchkes.
Kristen Madden in her book, Magick, Mystery, and Medicine has an activity she calls a junk walk.  Go outdoors and with your spiritual mind notice things for your junk bag.  Ask permission to take it with you, and then add it to your bag.  This bag and the contents can guide you and the nature spirits will talk with you through the contents.
I went around my house cleaning out draws, crannies, and other hidden places for little things to put in my oracle.  These things reflect my eccentric interests, hobbies, spiritual path and family life.  There are charms, shells, buttons, and all sorts of items.  I am proud of the fact that I didn’t have to buy a things, not even the bag.  It is large.  Plastic, manufactured, useful, and not useful were all part of the oracle.  I did a little ceremony in front of my altar to welcome the wisdom of the oracle into my life.
I’ve used it in several ways.  I had the members of a shamanic class I was leading put together their own oracle bag.  We were exploring a particular question so each of us drew objects from our own bag and talked about what it said in relationship to the question.  Since the amalgam of our insights were not clear, we drew a map to represent the question since it was centered on a place.  We then closed our eyes and tossed (gently) our objects onto the picture.  I then drummed and we journeyed to the place and explored our question.  Our journeys and the objects intertwined and overlapped, giving us all deeper insights into the complex question we were exploring.
I’ve drawn objects at random moments when I’ve needed a lift, at a time of reflection, or just fooling around.  I have laid out objects in a pattern used for Tarot so each object serves a role or poses a question.  I then read the objects in relationship to their position and then as a collective message.  Sometimes the oracle speaks clearly, sometimes eloquently, sometimes mysteriously, and at other times, just kicks my butt.  I’ve used it in tandem with Tarot, my divination tool of choice to augment a reading.
Others, such as Carrie Paris , have developed oracles according to other systems such as Lenormand.  On her website, she provides a free sheet that you can download.  You then place your charms, objects, and tchotckes and read it in relationship to whatever you are exploring.
This time of year is one of two where the veil between the worlds are the thinnest.  The messages and omens from the other realms are more easily accessed.  It is a time of ancestors, death, harvest, waning times, and preparation for hibernation (retreat).  Every time is a good time to reach out, this may be an easier time.
Wishing you an open heart, ears to hear, and eyes to see.  May the Spirits speak their love and blessings to you!

 

 

 

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